Streams Shape Stones

Streams Shape Stones - Raghly Earth, Nori Paste on Glass- 30 x 42cm - Kari Cahill - close.jpg
Streams Shape Stones - Raghly Earth, Nori Paste on Glass- 30 x 42cm - Kari Cahill - mantlepiece.jpg
Streams Shape Stones - Raghly Earth, Nori Paste on Glass- 30 x 42cm - Kari Cahill - portrait.jpg
Streams Shape Stones - Raghly Earth, Nori Paste on Glass- 30 x 42cm - Kari Cahill - side.jpg
Streams+Shape+Stones+-+Raghly+Earth%2C+Nori+Paste+on+Glass-+30+x+42cm+-+Kari+Cahill.jpg
Streams Shape Stones - Raghly Earth, Nori Paste on Glass- 30 x 42cm - Kari Cahill - close.jpg
Streams Shape Stones - Raghly Earth, Nori Paste on Glass- 30 x 42cm - Kari Cahill - mantlepiece.jpg
Streams Shape Stones - Raghly Earth, Nori Paste on Glass- 30 x 42cm - Kari Cahill - portrait.jpg
Streams Shape Stones - Raghly Earth, Nori Paste on Glass- 30 x 42cm - Kari Cahill - side.jpg
Streams+Shape+Stones+-+Raghly+Earth%2C+Nori+Paste+on+Glass-+30+x+42cm+-+Kari+Cahill.jpg

Streams Shape Stones

A$900.00

Raghly Earth, Nori Paste on Glass
30 x 42cm
2020
Sold with or without accompanying oak staned wooden ledge. Please specify in the comments in your order.

These pieces are created using the same gestures seen in the process of working with pigments: pigment and binder are mixed together by moving a glass muller over a glass slab, working the pigment in circular motions. The pigment is then scraped off the slab. These movmements are repeated on 6mm glass panels in this series of works.

This series of work traces the landscape of North Sligo through the pigments and inks derived from natural materials at Raghly, Lissadell, Ballyconnel and Benbulben. There is a contrast between the ancient geological fossils and formations and the slippery soft organic terrains found at rock pools and shorelines. Colour is used as a marker of terrain. Each work responds to the idiosyncrasies of specific colours derived from the landscape as well as the surface it is applied to.

Colour is created through the process of crushing, grinding, charring and boiling natural materials. The works feature a spectrum of hues from iron rich yellow/orange ochres to a pale pallet derived from limestone, urchins and limpets to monochromatic charred kelp. Bladder wrack and kelp are synthesised into inks which allow a contrast in viscosity on the page.

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